Wednesday, December 9, 2009
THE BEDSIDE BOOK OF BEASTS
December 6, 2009
Wild Things By JENNIFER B. McDONALD
Quick: How would you react were you to cross paths with a lion in the Kalahari? Would you run away? Play dead? Or would you be “too dazzled to do anything” and freeze, boggle-eyed, right on the spot? According to Elizabeth Marshall Thomas, whose work Graeme Gibson excerpts in THE BEDSIDE BOOK OF BEASTS: A Wildlife Miscellany (Nan A. Talese/Doubleday, $35), the appropriate reaction is to “walk purposefully away at an oblique angle without exciting the lion”; or, hope that the lion, too, would rather avoid a skirmish and will muster the decency to saunter off himself.
Such silent understanding between predator and prey belongs to an innate “wild self-sufficiency,” a quality, Gibson observes, that centuries of civilization have bred out of domesticated beasts — the human animal among them. This disconnect is a major motif of his nimbly curated bestiary. So is the idea that as much as we have divorced ourselves from the natural world, we cannot escape that we are of it. “We harbor a primordial animal memory in our being,” Gibson writes. “Its shadows dwell in our instincts, just as they stir in our dreams and fears.”
As he did four years ago in “The Bedside Book of Birds,” Gibson, the Canadian novelist (and longtime partner in birding and berry-picking to Margaret Atwood), has compiled poetry and myth, fairy tale and folklore, sacred texts and travelogues in an enchantingly illustrated volume that will awaken something primal in any human who dips into its pages. But this is far from a merely pretty survey of the animal kingdom. It is a book of raw spirit, a polemic against cold industrialization buttressed by Darwin, Forster, Murakami and Neruda, Audubon, Rubens and Leonardo, among many others.
The phrase “Book of Beasts” has a ring of fancy to it, and Gibson does include the fantastical, like Hesiod on “fierce Echidna,” half nymph and half snake, “eating raw flesh beneath the secret parts of the holy earth.” The Taittiriya Upanishad declares, “O wonderful! O wonderful! / I am food! I am food! I am food!” while Kafka spins a cat-and-mouse fable. But mostly we encounter the corporeal: there’s George Orwell felling an elephant (“His mouth was wide open — I could see far down into caverns of pale pink throat”) and Tolstoy in a close scrape with a bear (“I realized that he was drawing my whole face into his mouth”). Gibson himself recalls “the only time I thought I might conceivably be eaten,” by what may or may not have been a shark: “It was an unpleasant feeling.” Alongside these entries appears a pageant of art spanning cultures and centuries — paintings, drawings, woodcuts, tribal masks; foxes howling, panthers crouching, a lioness embracing a boy, even as she sinks her teeth into his pliant neck.
The scariest parts, though, come less from tales of sharp fangs and ferocious claws, and much more from the disquieting message, stalking the reader throughout, about a delicate balance disturbed. The dark presence of man is felt most keenly in the section “Killing Without Eating,” where Atwood writes of predators who slaughter recklessly, “angry old men / sneaking around in camouflage gear / pretending no one can see them.” These are not true hunters, she says. “They have none of the patience of hunters, / none of the remorse.”
Thankfully, Gibson favors awe over stuffy moralizing, leaving it to the muscular words and images of his miscellany to reveal human evolution as a beautiful and a terrible thing: it has given us the poetry gathered here, even as it threatens to make the subjects of this poetry familiar to future generations only as pictures in a book.
Tuesday, December 8, 2009
environment
Environment
Final blog "grizzly man"
Environment
Environment
Environment
Environment
Environment
Enviroment
Environment
Throughout the semester, we have talked about nature and how your surroundings affect your behavior. Over the course of this semester we have read many texts about nature but one text that we read that had challenged my view on environment was John Berger's article, "Why Look at Animals?". Before reading this article I use to think that zoos were benefiting the animals and that they were content where they were. After reading Berger's article, it opened a new outlook for me on zoos. Also, throughout the article Berger describes how there is marginalization of the animals. I learned that marginalization is to exclude or ignore, by relegating to the outer edge of a group or by diverting the public's attention to something else. According to John Berger, the space that the zoo has made for the animals to live in is artificial, and that in most cases the environment is just an illusion. Most of the environment does not necessarily meet the standards that the animal needs to live in to survive. Berger later on goes to say that the environment of the animals is made only for those who come visit the zoo. Reading all these different works from different authors, made me realize that there is no right or wrong definition of nature and that everyone has their own opinions. Berger helped to show me that sometimes things aren't as they seem and you must go deeper in order to figure it out.
Environment
On Environment
Environment Changes
Enviornment
The eyes of an animal when they consider a man are attentive and wart. The same animal may well look at other species in the same way. He does not reserve a special look for man. But by no other species except man will the animal’s look be recognized as familiar. (5)
This statement meant a lot to me, because I recalled the looks that I would receive from my dog at home and think to myself oh I know she is happy because her tail is wagging and she has that wine in her voice, and that eager look on her face just waiting for someone to pet her.
This made me realize that I may or may not have had an effect on my dog as her characteristics are concerned. When comparing her personality to her environment one could state that yes she is hyper because her owner is hyper (me), but based on outside information on beagles, I already know that they are genuinely happy dogs. They get excited very easily and are every friendly to humans and other dogs.
Based on this discovery I can say I believe in some of the things Berger is suggesting, such as the fake environment that my pet is placed in. The suburban area with a routine everyday; wake up, go out, eat, go for a walk, sleep all day, go for a walk, eat, go out, sleep. This daily repetition must have some effects on her, she doesn’t see other dogs unless she is out on a walk, and she doesn’t get as much exercise as she needs. On the other hand I do not agree with him. Animals do have personalities and do not necessarily pick them up form their owners, it is quite possible that I made a clever choice in choosing a pet that is similar to me.
Monday, December 7, 2009
Enviroment
This class I must say was different. I never imagined spending a whole semester talking about nature but I must say it was worth it. The back to back papers honestly made me a stronger writer and I loved getting feedback from my classmates and the one on one time with the professor.
On Environment
TOWN & GOWN: IN & AROUND TEMPLE
Something that many of the writers we read this semester emphasize is that all environments, including built environments like North Philadelphia, are in a state of constant change. Like the "built environments" of the essays you've written, neighborhoods can be thought of as organisms that grow and change and die and become other things in the process. For a writer like Elijah Anderson, this dynamic manifests as "pockets of resistance," where neighbors come together to rewrite, as it were, the vision of what a neighborhood can be. For a writer like Ray Oldenburg, we create "third spaces" between the private sphere and the public sphere in order to revitalize our sense of self in the social sphere. And then of course for others, like Timothy Treadwell, so-called civil spaces are anathema to what it means to be alive and human. And so he retreated into the Alaskan wilderness. But even deep in the wilderness, Treadwell created a space to feel at home: a "made" or "made-up" wilderness. And even the Times Square sinkhole of Tom Wolfe's "Rotten Gotham" is very different now, 40 years later.
So . . . some questions to ask yourself as you finish the course: "What does Temple's environment mean to me?" "What do the communities around Temple mean to me?" "How do I define myself as a student and a citizen living in North Philadelphia?" "How am I part of the many communities in and around Temple?" "How do these environments interact?" "How do they perceive each other?" "How do I perceive them?" "Years from now, how will I see my years at Temple--not only as a student, but more broadly as a human being?"
Like all these spaces and places, "natural" and "civil," your writings are also built environments. They are put together: composing, decomposing, and recomposing visions and revisions of what is possible. This idea of writing as a cultural artifact and a natural process informs much of the thinking about ecocomposition and the relationships among readers, writers, and environments.
For those of you who want to pursue some of the ideas that we've explored in class this semester, especially relationships between Temple and its local communities, check out the Faculty Herald article and interview with Eli Goldblatt on a new community-based learning project at Temple, the Community Learning Network.
Click here to read.
Environment
Most of the texts we have read this semester have lead to the change in my thoughts on the environment. The most important one seems to be "O Rotten Gotham" by Tom Wolfe. It is amazing to think of the world, or even Temple's campus as a whole. The amount of interaction we have between people everyday is unbelievable. Just walking on campus, you see thousands of people, all crowded into a small area. Everyone's behavior in this situation is changed, as everyone has somewhere to go to or something to do. This behavioral sink Wolfe describes seems to be very possible if not likely. I had never spent much time thinking about overpopulation in the city before, but after reading this text, it does seem to be a serious problem.
Sunday, December 6, 2009
Environment
Friday, December 4, 2009
Environment
(Option 2)
This semester I have learned a lot about the environment. I never gave nature and the environment any thought but during the course of this semester I have had time to process my own perception of the environment and nature. The first essay topic: Space and Place, really changed m perception of the environment. After reading Elijah Anderson's essay, "The Social Ecology of Youth Violence" I was fascinated with Philadelphia and the people who live here; simply because I'm not from this area. When Anderson talked about his interview with Old-head, Mr. Don Moses, I was stunned by the reality of the situation: living in Germantown. “Keep your eyes and ears open at all times. Walk two steps forward and look back. Watch your back. Prepare yourself verbally and physically. Even if you have a cane, carry something. The older people do carry something, guns in sheaths. They can’t physically fight no more so they carry a gun” (75, Anderson). Could it really be that bad in Germantown? In my home environment in Lorton,VA, I've always felt safe. There's no need to carry a gun or watch your back. In my environment everyone goes to college and will probably do something amazing with their lives. But in Germantown the kids barely attend school and a small percentage of them will go to college. So I learned, your environment does affect your behavior. I didn't notice till I read Anderson's essay and looked around me as I walked around Philadelphia. I've noticed how my behavior has changed from care-free in Lorton, VA to more attentive in Philadelphia, PA. It's natural to do so. Elijah Anderson would say, "It's just the code of the street." I've learned a lot this semester but this is the one thing that changed my view of the environment. Thanks Dr. F:)